Want to share IMDb's rating on your own site? The soundtrack was mastered by Greg Fulginiti. The Stunt Man For which movie should Peter O'Toole have won an acting Oscar? Keep track of everything you watch; tell your friends. Cameron took out his fury one night on the ice cream shop (which he reenacts by trashing the set shop). View production, box office, & company info. The DVD-release by Anchor Bay comes with an extra disc loaded with extra's. The first version is a standard release featuring two deleted scenes and a commentary by director Richard Rush. Lucky learns stunt work under the tutelage of Chuck (Charles Bail), the stunt coordinator; there's some cool detail about how stunts are pulled off. Cameron (Steve Railsback), a Vietnam vet who's wanted for attempted murder, is caught by the police but escapes. becomes their catchphrase. Lucky believes Eli is trying to kill him, and will use the stunt to make it look like an accident. It was nominated for three Academy Awards: Best Actor in a Leading Role (Peter O'Toole), Best Director (Richard Rush), and Best Writing, Screenplay Based on Material from Another Medium. Documentary about the making of this 1980 action/drama about a fugitive hiding out as a movie stuntman. In an October 17, 1980, review in The New York Times, Janet Maslin noted "the film's cleverness is aggressive and cool," but concluded that although "the gamesmanship of The Stunt Man is fast and furious... gamesmanship is almost all it manages to be". Many scenes were filmed in and around the historic Hotel del Coronado in Coronado, California. Best Writing, Screenplay Based on Material from Another Medium. The Stunt Man is a 1980 Action-Comedy-Drama-Thriller-Romance film directed by Richard Rush, based on Paul Brodeur's novel. Starring: Peter O'Toole Steve Railsback Barbara Hershey Allen Goorwitz Alex Rocco Peter O'Toole performance."[8]. After viewing The Stunt Man director François Truffaut labeled Richard Rush his “favorite American director.” Also, his work on Color of Night starring Bruce Willis and how he finally claimed his director’s cut of the film. - documentary about the making of the film, presented by Rush himself, almost worth seeing in itself.Camera Obscura - 8/10. You must be a registered user to use the IMDb rating plugin. Adapted from Paul Brodeur's novel, Richard Rush's story of a Machiavellian movie director and his accidental employee takes a darkly comic look at movie reality vs. "real" reality. While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. What is a Stuntman? [5] Rush initially rejected, then ultimately accepted directing The Stunt Man. 'Stunt Man' Next for Castle A shy, withdrawn English schoolteacher falls for a flashy showgirl. “Peter O’Toole was the best thing that ever happened to me. Was this review helpful to you? Lucky emerges, gasping, from the river and notices that there were divers in the water with him all the time. The Stunt Man is a quirky jigsaw puzzle of a picture that reveals more secrets about, in Rush's words, "the panic and paranoia over controlling our own destinies" through repeated viewings; it can also leave you marveling at its utterly odd ingenuity the first time you see it. The local police chief is aware of the accident on the bridge and Eli has to do some fast talking to convince him that Cameron is Burt, the stunt man who went off the bridge into the river. If God could do the tricks that we can do, he'd be a happy man." Peter O'Toole mentions in his DVD commentary that he based his character on David Lean who directed him in Lawrence of Arabia. The Stunt Man is a film which, I guess, isn't quite in the spirit of what a 1980s action project should be about. There's a running theme about how the movies are all about making things look like what they're not. Stunt men have families, … [3] As O'Toole remarked in a DVD audio commentary, "The film wasn't released. Simply put, THE STUNT MAN’ stands strong as one of the most ambitious, uncompromising, and devilishly clever films ever made. Opening scenes were filmed at Mary Etta's Cafe, Flinn Springs, California. 10 Tracks. (Eli claims divers pulled him out of the car, and Cameron is convincingly damp, having just pulled Nina out of the ocean.) Denise (Sharon Farrell), the film's hair stylist, dyes his hair and makes a pass at him. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes. "How tall was King Kong?" The story of hard-luck Melvin E. Dummar, who claimed to have received a will naming him an heir to the fortune of Howard Hughes. Later, Cameron is attracted to a movie shoot -- a World War I battle scene -- on the beach. [9] He gave the film two stars but noted that others had "highly recommended" it. The car goes into the water when Chuck triggers the exploding tire, and Lucky scrambles to reach Nina in the trunk -- until he happens to look up out of the sinking car's rear window to see Nina with Eli on the bridge. He offers Cameron a job, explaining that their last stunt man just ran a car off a bridge. Which is your favorite? During the early 1970s, Columbia Pictures owned film rights to the novel, with Arthur Penn and François Truffaut considered for directing it. [10] Jay Scott called it "[t]he best movie about making a movie ever made, but the achievement merely begins there. The cop was knocked out and spent several hours with his head in the ice cream, which didn't kill him but resulted in frostbite damage to his nose and ear and an attempted murder charge for Cameron, who's been on the run ever since. Perhaps it's all a little too ambitious at times but with a cast like this and such a dazzling script, it's definitely worth the effort. It tells the story of a young fugitive who hides as a stunt double on the set of a World War I movie whose charismatic director will do seemingly anything for the sake of his art. He portrays Eli Cross as a god of sorts. Barbara Hershey gives a great performance but without Peter O'Toole's tour-de-force performance, I doubt if the film would have worked as well as it did, especially with such a challenging and multi-layered script. Get unlimited DVD Movies & TV Shows delivered to your door with no … He doesn't seem to care about human life, as long as his movie is shot in the way he wants it.Railsback is an odd choice for the main role but apparently the makers wanted a "low-key" actor for the main part. (To film part of the wing-walking scene, they tether the plane to the ground and fly in circles at an altitude of about 6 feet.) The film's theme song "Bits & Pieces" is sung by Dusty Springfield. At the same time, Lucky/Cameron's getting involved with Nina -- who, it turns out, once had a romance with Eli and still admires him tremendously. In July 1971, Columbia announced that Rush would direct the film with William Castle executive producer. The director, Eli Cross (Peter O'Toole), descends from the sky on his camera crane. This FAQ is empty. I've watched it twice with some friends since, but they weren't very enthusiastic about it, so I can imagine that for many people it won't pay off. Although the direction is fine, it's mostly a virtuoso piece of scripting (credited to Rush and Lawrence B. Marcus, based on Paul Brodeur's novel) that makes this such a special film. After the scene, he notices an old woman who walks through the set greeting the actors, then falls in the water. The other, somewhat more respectable, members of their family plot to steal the estate from him. The Stunt Man is a 1980 American action comedy film directed by Richard Rush, starring Peter O'Toole, Steve Railsback, and Barbara Hershey. English Language Learners Definition of stuntman : a man who takes an actor's place during the filming of stunts and dangerous scenes for a movie or TV show See the full definition for stuntman in the English Language Learners Dictionary Life for a pair of veteran actors gets turned upside down after they meet a brash teenager. Nina tells him that she was found in the trunk hours before the shoot, and Eli told her that Lucky had changed his mind and decided to do the stunt. [6], Rush then penned a 150-page treatment different from the book; in the novel, the characters were all crazy, and in the screenplay, they were instead "sane in a world gone mad. Reality and imagination soon blur when Cameron grows increasingly paranoid because Eli Cross doesn't let anything or anybody get in the way of shooting his masterpiece the way he wants. 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