The lucky groom (Keaton) and his bride (Sybil Seely) strike out for their new home, purchased by a well-meaning uncle. Directed by Buster Keaton and Eddie Cline Release Date: September 1, 1920 Length: Two reels Buster and his new bride receive a build-it-yourself house as a wedding gift, but their week-long construction project goes from tough Choose an adventure below and discover your next favorite movie or TV show. A series of adventures begins when an accident during photographing causes Buster to be mistaken for Dead Shot Dan, the evil badguy. Among the gifts is a portable house you easily put together in one week. The film was inspired by a Ford Motor Company documentary. The film contains a high number of innovative visual gags largely pertaining to either the house or to ladders. In 2008, One Week was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[2][3]. As if this were not enough, Keaton finds he has built his house on the wrong site and has to move it.
It doesn't help that Buster's rival for Sybil switches the numbers on the crates containing the house parts. Buster and Sybil exit a chapel as newlyweds. Buster and his new bride receive a build-it-yourself house as a wedding gift, but their week-long construction project goes from tough to absurdly impossible (or, absurd and impossible!) In the first half they destroy a car left for them to clean. The film was written and directed by Keaton and Edward F. Cline, and runs for 19 minutes. Directed by Buster Keaton and Eddie Cline, Release Date: September 1, 1920Length: Two reels. With Buster Keaton, Sybil Seely, Joe Roberts. Was this review helpful to you? Many special effects, such as the house spinning around during a storm and the train collision, were filmed as they occurred and were not model work.
One Week is a 1920 American two-reel silent comedy film starring Buster Keaton, the first film to be released made by Keaton on his own; Keaton had worked with Roscoe "Fatty" Arbuckle for a number of years. This short served as a trial-run of sorts for the feature 'Steamboat Bill, Jr. (1928),' for here we see an early version of Keaton's famous "saved-by-the-window" falling wall stunt. Click HERE to read our policy on sexual harassment. The result is depicted in the picture.
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In a vigorous windstorm, the entire building is transformed into a deliriously-spinning carousel, the inhabitants thrown across the room with almost brutal centrifugal force. Film critic Walter Kerr, in his landmark book The Silent Clowns, said of this film,“To sit through dozens and dozens of short comedies of the period and then to come upon One Week is to see the one thing no man ever sees: a garden at the moment of blooming.”. View production, box office, & company info. Written by Ed Stephan
The film is noted for including some risque (for its time) scenes involving Seely's character.
A sincere young man leaves his home to win his fortune so he can marry his home town sweetheart. Reviewer: marc-vanderloo - favorite favorite favorite favorite - August 22, 2006 Subject: One Week The first Buster Keaton I ever saw. The full size house (not a model) was actually built on a turntable for the storm scene.
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Keaton and Seely try to move it out the way of an oncoming train, which eventually passes on the neighboring track. Buster helps a Native American tribe save their land from greedy oil barons. On Friday 13th a storm spins the house around like a merry-go-round. As the couple look relieved, the house is immediately struck and demolished by another train coming the other way. A modest cameraman's hand spares us the details, however.
Directed by Edward F. Cline, Buster Keaton. Add the first question. You must be a registered user to use the IMDb rating plugin.
Sybil Seely co-stars. In the second half they go off on a false alarm and return to find their own building on fire. Use the HTML below. Added to the National Film Registry in 2008.
The house can be built, supposedly, in "one week". In 'One Week,' the product of Keaton's labours doesn't appear quite so impressive, though the house does misbehave is equally hilarious ways.
The resultant dwelling would not have looked out of place in 'The Cabinet of Dr. Caligari (1920),' though Keaton is evidently proud of his handiwork, and is thus prepared to overlook the most minor of blunders (such as having the front door on the second-floor). The Analysis of the Film: One Week “The Story of Qiu Ju” a Film by Zhang Yimou
A young couple who live next to each other in tenement apartments do everything they can to be together despite of their feuding families. A newly wedded couple attempts to build a house with a prefabricated kit, unaware that a rival sabotaged the kit's component numbering. Watch for Buster to fall from the house and land on his back – the landing caused his arms, elbows, and back to swell. The fall Keaton takes when he steps out of the bathroom and falls two stories down, is one of the few occasions he truly hurt himself making films. Copyright9/3/20: Metro Pictures Corp1949: Public Domain. The impact of the fall made his arms and back swell, and his physical trainer, Al Gilmore had to put him in hot and cold showers and then apply olive oil and later horse liniment to eventually get the swelling down. A perfect vehicle for his talents: build something, get into dangerous situations doing so and go out with a bang.
when a rejected suitor re-numbers all the packing crates.
A young golfer is mugged by an escaped convict and finds himself in a prison where he foils a jailbreak. StarringBuster Keaton: The GroomSybil Seely: The BrideJoe Roberts: The Piano DeliverymanHandy Hank: Damfino! The story starts out where most romantic comedies end: with a picturesque wedding ceremony, during which adoring friends and relatives toss confetti and, oddly, second-hand footwear. (1920). READ: Buster Keaton and the Comedic Roots of Surrealist Cinemaby Gordon C. Waite, READ: Buster’s Most Charming Leading Ladyby Lea StansKeaton Chronicle Volume 23 / Issue 2 / Spring 2015, READ: The House that Buster Builtby David B. PearsonKeaton Chronicle Volume 7 / Issue 2 / Spring 1999. Congregational Sunday School, Los Angeles, California, USA, The Best TV Shows About Being in Your 30s.
One Week is a 1920 American two-reel silent comedy film starring Buster Keaton, the first film to be released made by Keaton on his own; Keaton had worked with Roscoe "Fatty" Arbuckle for a number of years. Keep track of everything you watch; tell your friends. The movie recounts Keaton's struggle to assemble the house according to this new "arrangement". It was the first time in one of his own films that he used the falling house front gag. Of course, only in a Keaton short must the husband and wife be forced to construct their own house, utilising a do-it-yourself kit that goes awry when the bride's former lover switches the numbers around.
You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. His unit’s physical trainer put him in a shower first as hot, and then as cold, as he could stand, followed by horse liniment, which brought the swelling down. 6 of 7 people found this review helpful. Leading lady Sybil Seely impressively keeps up with Keaton's comedic antics, even contributing a few laughs of her own, rather than serving only as a beautiful romantic interest. The New York Times movie review said, "One Week, a Buster Keaton work, has more fun in it than most slap-stick, trick-property comedies."[4].
Most notably, a sequence in which she is taking a bath, drops a bar of soap out of the tub, and waits until (as a, This page was last edited on 4 October 2020, at 00:56.
A hapless amusement park attendant finds his run away balloon ride has left him in a strange predicament.
The mischievous rival ("Handy Hank") is an unknown actor.
The International Buster Keaton Society does not and shall not discriminate on the basis of race, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, or military status, in any of its activities or operations.
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Keaton stares at the scene, places a 'For Sale' sign with the heap (attaching the building instructions) and walks off with Seely.
The film was written and directed by Keaton and Edward F. Cline, and runs for 19 minutes. In one scene, our hero rather coarsely knocks out a traffic policeman, and it's probably no coincidence that the victim is a Charles Chaplin-lookalike. After a night’s rest, he was ready for work the next day. The High Sign had been filmed prior to One Week, but Keaton considered it an inferior effort to debut with, and released it the following year when he was convalescing from an injury. Guitarist Bill Frisell released a soundtrack to the movie in 1995 on his album The High Sign/One Week. One Week This FAQ is empty. A bank clerk ends up in a seemingly haunted house that is actually a thieves' hideout. 'One Week' is one of Keaton's finest shorts, with no shortage of imagination, and a continuous string of episodic gags. A newly wedded couple attempts to build a house with a prefabricated kit, unaware that a rival sabotaged the kit's component numbering.
Sybil Seely co-stars. The High Sign was produced first, then shelved for a time.
Not that Seely didn't have the "beautiful" aspect covered, the film's show-stopping moment seeing the actress drop her bar of soap while bathing in the tub. After waking up from his wacky dream, a theater stage hand inadvertently causes havoc everywhere he works. Buster and Sybil exit a chapel as newlyweds. A drifter at an amusement park finds himself both the bodyguard and hit man of a man targeted by a criminal gang. The story involves two newlyweds, Keaton and Seely, who receive a build-it-yourself house as a wedding gift.
Strange things ensue after a young man attempts to take his own life.
The house was built on a turntable, so it would be able to spin during the violent rainstorm scene. Among the gifts is a portable house you easily put together in one week. A rejected suitor secretly re-numbers packing crates.
Although the first released, it wasn't the first film Buster made with his own production company. It doesn't help that Buster's rival for Sybil switches the numbers on the crates containing the house parts. Keaton, Eleanor, and Vance, Jeffrey (2001). This essay on Film Analysis of ‘One Week’ by Buster Keaton was written and submitted by your fellow student. 'One Week (1920)' was the first of Buster Keaton's independent two-reelers, though 'The High Sign (1921)' was filmed first and shelved until the following year.
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