From the morbid Fosca in Passion to the zany Ruth Sherwood in Wonderful Town, from the prim Mrs. Anna in The King and I to the Witch in Shakespeare in the Park's Into the Woods, she has been a remarkable chameleon, earning two Tonys and a wheelbarrow of critical bouquets along the way.—AF, Here’s the chorus-girl-turned-star scenario at its highest level. Her legendary status is primarily built upon two roles—Lorelei Lee (. Broadway voices don’t get much respect in classical circles, but Audra McDonald has an instrument of operatic force and she has the acting chops to back it up. She's a strong woman with an incredible, powerful voice. Folks justly worship the comedy dynamo for her 1970s sketch series. They're all so talented and amazing, so we couldn't actually rank them. Aretha Franklin All the girls have their own successful solo careers now (looking at you, Kelly Rowland and Michelle Williams), but you can't turn on a top-40 station without hearing a song from Lemonade or the latest new about Queen Bey.

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biggest divas

Icons such as Ethel Merman, Mary Martin, Gwen Verdon and Carol Channing were the bulbs that lit the Great White Way in its golden and silver ages, and they still dominate the mythology of the genre. Our list of the top Broadway leading ladies in musical-theater history. RECOMMENDED: Find the best Broadway shows playing now, No performer embodies the spirit of the Great White Way more than the Ethel Merman, the Queens stenographer turned Broadway megaphone. Now that versatility is in vogue, they don’t make them like Channing anymore; but then, there never was anyone like her to begin with.—AF, Elaine Stritch’s career stretched back to the 1940s, and notably included roles in Noël Coward’s Sail Away and Stephen Sondheim’s Company, but reached its apotheosis in 2001 with her self-recovery session, At Liberty.

Dance-hall girls, prostitutes, temptresses, mistresses: These were her trades in stock, plied in such hits as Damn Yankees, Sweet Charity and Chicago. And her signature vocal style, a suspension bridge between old-school belting and microphone pop, remains influential throughout the theater world and beyond. , Barbara Cook emerged later as a premiere interpreter of the classic Broadway songbook—an accomplishment recognized with a Kennedy Center Honor in 2011.

. She received a special 1968 Tony for her performance, and headlined the musical’s first Broadway revival in 1975. Now in her eighties, this bona fide Broadway icon seems fit as a well-tuned fiddle; in her 2005 Broadway retrospective, , she was still pulling off high kicks. If you don't agree, feel free to re-rank it and make your own list. Countess Aurelia. Despite her success in concerts and cabaret, Cook remained a theater singer to the core. the greatest Tony Awards performance of all time. We’re working hard to be accurate – but these are unusual times, so please always check before heading out. In fact, life is at its most dynamic when pop divas seize the spotlight, which is as good a reason as any to rank the best of the best’s debut singles. (True to her name, she was often both dotty and loud.) in 2002, nabbed a Tony Award and never looked back. Thanks for subscribing! Has any other musical-theater diva covered the breadth of class or theatrical styles as Angela Lansbury—the English performer who, at age 39, reinvented herself as a knockout comedy belter? She hit the jackpot in 1977, flouncing gleefully through her role as the villainous Miss Hannigan in Annie. Powerful as her dancing was, it contained elements of vulnerability and humor—she had been hobbled by rickets as a child—and her singing, tremulous and reedy, faintly suggested the shivers. There's something deeply personal about choosing one’s favorites: Back in the day, show-tune aficionados argued the merits of Merman versus Martin; today, one might find similar divisions among partisans of Patti LuPone and Bernadette Peters, or Kristin Chenoweth and Idina Menzel. )—that she played, off and on, for 50 years. The plummy-voiced Gertrude Lawrence represents a bridge between English music hall and Broadway’s golden age. When she is onstage, attention must be paid.—AF, When you scan Carol Burnett’s musical-theater career, it kind of makes you mad at TV. A showbiz trouper par excellence, “Pearlie Mae” Bailey rode her throaty growl and incomparable throwaway sass to national stardom, and starred in two original Harold Arlen musicals on Broadway. What have we done to deserve her?

. Sutton Foster Charleston-ed giddily into the Broadway spotlight when the producers of, plucked her out of the kickline during out-of-town tryouts, and replaced the lead actor with her. She's bold, beautiful, noble, yet she can do abject and unglamorous too, as in the Broadway revisal of Porgy and Bess.

Here’s the chorus-girl-turned-star scenario at its highest level.

But the peak of her stage career came in 1967, when producer David Merrick—in an unprecedented move—replaced the entire cast of his long-running hit Hello, Dolly! Find out more about how we use your information in our Privacy Policy and Cookie Policy. Her curmudgeonly, whiskey-drenched style exploded with a rare force of character: a tough yet tender blend of honesty, rue and mordant wit. Now, in a second act worthy of any great show, LuPone has reclaimed her Broadway spotlight with a vengeance—in revivals of Sweeney Todd and especially Gypsy, for which she won her second Tony—and taken her rightful place as the reigning diva of her generation.

Many Broadway ladies have been deeply loved, but perhaps none has seemed so lovable.—AF, Her Broadway career spans back to 1968’s George M!, but Bernadette Peters has moved beyond her early kewpie-doll appeal to emerge as one of Stephen Sondheim's foremost interpreters. She was just 19 when she won her first Tony for 1965’s Flora, the Red Menace, and her trademark mannerisms—the spiky jazz-dance gestures, the huge acting choices, the eyes widened into needy pools—have remained largely intact through the decades. Top 10 Best Pop Divas. But Barbra Streisand never left Broadway, exactly; she brought it with her to movies, albums and concert halls. Folks justly worship the comedy dynamo for her 1970s sketch series.

No performer embodies the spirit of the Great White Way more than the Ethel Merman, the Queens stenographer turned Broadway megaphone. Mariah Carey or The Wild Party can attest. Despite her success in concerts and cabaret, Cook remained a theater singer to the core. With Live365, start your own internet radio station or listen for free to thousands of stations. A diminutive blond with a piercing, helium-tinged belting voice and a comic manner that harks back to great funnywomen of old, Kristin Chenoweth is the most distinctive musical-theater star to emerge in decades. , she has been a remarkable chameleon, earning two Tonys and a wheelbarrow of critical bouquets along the way. HuffPost is part of Verizon Media.

She received a special 1968 Tony for her performance, and headlined the musical’s first Broadway revival in 1975.—AF, She built a stratospheric reputation on the strength of two megahit musicals, Rent and Wicked, and no one’s ever gonna bring her down. Her incandescent charm, frisky comic energy and a voice that could be used for hydrofracking guarantee a Tony nomination no matter what she’s in. Aretha gave women all over an anthem to demand respect. But it’s her stage work that’s meatiest and most savory.—David Cote, Gwen Verdon was the anti-Ethel. Merman played lead roles in a whopping 13 original musicals, nearly all of them hits; among the roles she created were Reno Sweeney in. Yes, she’s also famous from TV and film. We already have this email. "—DC, Born of a showbiz merger between Judy Garland and Vincente Minnelli, Liza Minnelli has entertainment in her blood, and in that sense she’s always been a cutter, eager to pour herself out on the boards. To your stations, fans!

From the morbid Fosca in Passion to the zany Ruth Sherwood in Wonderful Town, from the prim Mrs. Anna in The King and I to the Witch in Shakespeare in the Park's Into the Woods, she has been a remarkable chameleon, earning two Tonys and a wheelbarrow of critical bouquets along the way.—AF, Here’s the chorus-girl-turned-star scenario at its highest level. Her legendary status is primarily built upon two roles—Lorelei Lee (. Broadway voices don’t get much respect in classical circles, but Audra McDonald has an instrument of operatic force and she has the acting chops to back it up. She's a strong woman with an incredible, powerful voice. Folks justly worship the comedy dynamo for her 1970s sketch series. They're all so talented and amazing, so we couldn't actually rank them. Aretha Franklin All the girls have their own successful solo careers now (looking at you, Kelly Rowland and Michelle Williams), but you can't turn on a top-40 station without hearing a song from Lemonade or the latest new about Queen Bey.

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