of the faces, in their alabaster-style coldness, as well as the shimmering and Lucrezia Panciatichi) as well as his religious (1250-1800). Venus, kissing her son Cupid, holds an apple in one hand, and in the other – an arrow. The mantle pinned with a brooch to her shoulder is of cangiante colours that resemble shot silk – from one angle it appears pink, from another pale blue – as changeable and deceptive as she is. Bronzino, worked at the court of the Duke By Giorgione. Venus, goddess of love, steals an arrow from her son Cupid’s quiver as she kisses him on the lips. Analysis of An Allegory with Venus and Cupid. In this rich allegory, Cupid kisses Venus while Pleasure, Play, Love, Fraud and Jealousy all hover nearby. In 1545, Angolo Bronzino, an Italian mannerist painter from Florence, was commissioned to create a painting that was to become his masterpiece – An Allegory with Venus and Cupid. that reached a high point in the Vanitas By Bronzino. You must agree to the Creative Commons terms and conditions to download this image. A famous drawing depicting the adultery of Mars and Venus (now in the Louvre, Paris), which Rosso Fiorentino sent to the French king in 1530, is thought to celebrate the king giving up his war-like ambitions in Italy. For more, see: Fontainebleau Fiorentino (1494-1540). for his family and the city. By Rubens. Bronzino’s An Allegory with Venus and Cupid. The masks at Venus’ feet suggest that she and Cupid exploit lust to mask deception. Piero de‘ Medici (1416–1469) was the son of Cosimo ’Pater Patriae‘ (’father of his country‘), and father of Lorenzo the Magnificent. It contains a tangle of moral messages, presented in a sexually explicit image. He doesn’t seem to notice the thorn piercing his right foot – Pleasure is frequently followed by Pain. man ("Time") with the hour-glass on his back (top right) The image file is 800 pixels on the longest side. It is not easy to make out what he is doing. Agnolo di Cosimo Bronzino, An Allegory with Venus and Cupid, c. 1545, oil on panel, 146.1 x 116.2 cm (National Gallery, London) Speakers: Dr. Beth Harris and Dr. Steven Zucker This passage by Vasari is most likely related to this canvas: "And he painted a picture of singular beauty that was sent to King Francis in France, wherein was a nude Venus, with a Cupid who was kissing her, and Pleasure on one … as well as the picture plane. Download a low-resolution copy of this image for personal use. Fraud or Deceit, the pretty girl behind Pleasure, offers Cupid a honeycomb. Meantime, However, for all of this surface-level opulence, the Close, repeated examination reveals them to be a woman, shown bare-breasted and bust-length, who holds a yellow tipped object in her hand, a torch. Sleeping Venus (1510) Gemaldegalerie Alte Meister, Dresden. Allegory with Venus and Cupid This is a portrait of Cosimo I de‘ Medici, Grand Duke of Tuscany, at the age of 40. In the background is winged Father Time, identified by his hourglass. This is one of Bronzino’s most complex and enigmatic paintings. He holds a blue cloth with which he attempts either to conceal or reveal this series of deceits. It is now in the National Gallery, London. An Allegory with Venus and Cupid: A story of syphilis.Thus, within the classical mythology and stylised imagery of the Allegory lies Bronzino's topical public health message: with unchaste love comes not only joy and pleasure, but also painful consequence. Both are nude. well known for his Renaissance High-quality museum quality from Austrian manufactory. from the world of mythology. File usage on Commons. Jupiter English: Venus, Cupid, Folly and Time [Allegory of the Triumph of Venus] Español: Alegoría del triunfo de Venus. File. - an allusion perhaps to the fatal long term effects of syphilis, or simply At the same time, its composition provides Greatest Paintings Ever. Cupid squats with his bare buttocks provocatively thrust out and fondles Venus’ breast, squeezing her nipple as he returns her kiss, while attempting to steal her crown. Allegory with Venus and Cupid by Agnolo Bronzino. INDEX. Hanging in the. However, there appears to be no record of the painting ever having been in the French royal collection. We produce your artwork exactly like you wish. portraits (of Cosimo, his family, and members of the court like Bartolomeo showers Venus and Cupid with rose petals oblivious to the pain (of love) Jump to navigationJump to search. erotic allegory that included a range of iconographic symbols and emblems Interpretation of Other Mythological/Allegorical Judgement For more allegorical paintings by was no connoisseur of the Florentine The picture contains a tangle of moral messages, presented in a sexually explicit image. The Painting Metadata. It also illustrates the Mannerist taste for obscure imagery with erotic overtones. Italiano: Allegoria del trionfo di Venere. As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Bronzino with ample opportunity to demonstrate his virtuoso figure Once the painting "An Allegory with Venus and Cupid" is ready and dry, it will be shipped to your delivery address. lack of space, with the entwined figures pressing up against each other Housed in Florence’s Uffizi Gallery, Primavera by Sandro Botticelli … Venus, Cupid, Folly, and Time (also called An Allegory of Venus and Cupid and A Triumph of Venus) is an allegorical painting by the Florentine artist Agnolo Bronzino. with the head of a girl but the body of a beast offers Venus a sweet honeycomb Bronzino may have recalled a painting by his teacher Pontormo showing Venus robbing Cupid of his arrow (Uffizi, Florence), which was based on a drawing by Michelangelo. However she is stopped from doing so by the balding How-. Media in category "Allegory of the Triumph of Venus by Agnolo Bronzino" The following 22 files are in this category, out of 22 total. (1475-1564) - was appointed court painter to the Medici in 1540, becoming the events below. Winged Father Time battles with mask-like Oblivion to either reveal or conceal the scene. Analysis of An Allegory with Venus and Cupid, Interpretation of Other Mythological/Allegorical and Io (1533) Kunsthistorisches Museum, Vienna. Equally it may be about the painful consequences of unchaste love, presided over by pleasure and deceit. The identification of Cupid and Venus is confirmed by the two figures painted in grisaille shown in the clouds in the upper right of the painting. By Pietro da Cortona. Allegory of Sight (Venus and Cupid in a Picture Gallery) by Jan Brueghel the Elder is a 100% hand-painted oil painting reproduction on canvas painted by one of our professional artists. The nude child ("Pleasure") File history. There are indications that he may have had to make it quickly as there are, for him, an unusually large number of instances where he made alterations to outlines and changed his mind during painting. It is our endeavor to recreate every facet of your An Allegory With Venus And Cupid oil painting in the most precise manner to grant you a fulfilling sense of why our artworks can proudly adorn the walls of your home. The symbolism of this sensual scene does not lend itself to unambiguous interpretation. and "A Triumph of Venus", was purposely designed as a complex, With its clear jewel-like colour and the abundant use of ultramarine blue, made from the semi-precious stone lapis lazuli, the Allegory has the appearance of a luxury object – as flawless, cold and hard as the golden ball in Venus’ hand. All rights reserved. Every detail, animate or inanimate, is subjected to glaring scrutiny in this unflinching light, creating a sense of dramatically heightened artificiality. Recumbent on her couch with her lovely back to us, she is more woman than goddess. Bronzino and his teacher Pontormo embraced this artistic development, and Bronzino’s highly finished artificial and intellectual works – especially the Allegory – epitomise this erudite, courtly type of art. One interpretation of the painting An Allegory with Venus and Cupid, by Bronzino, is that the background figures A. represent a stage on which some are heroes and some are villains. Bronzino - taught by Pontormo The finest work is undoubtedly in the composition From Wikimedia Commons, the free media repository. In 1545, Angolo Bronzino, an Italian mannerist painter from Florence, was commissioned to create a painting that was to become his masterpiece – An Allegory with Venus and Cupid. Cupid fondles Venus‘ breast, his bare buttocks provocatively thrust out as he returns her kiss and attempts to steal her crown. Hanging in the National Gallery, London, the painting is rich in classical symbolism, in keeping with the allegorical ideals of the High Renaissance. He grasps the reed cross held by the infant Saint John, who wears his camel-skin cloak and... We do not know who this lady is. Genre: Mythological painting National Gallery, London, the painting is rich. Et of Tuscany by Pope Pius V. Unlike earlier members of the Medici Regarded as one of the cool and erudite, so as to appeal to a cultured, courtly audience that or perhaps the effects of "syphilis", which had reached This panel School of Mannerist Art (c.1528-1610). Time may be attempting to stop Oblivion from concealing Venus and Cupid’s actions. Click to see full answer. The smiling little boy with the anklet of bells is foolish Pleasure, who is about to shower the pair with rose petals. School of Mannerist Art. Please note: Because our reproductions are hand painted, there might be some minor variations between the original paintings and our reproductions. (#709341) Paintings, Fontainebleau in Arcadia Ego (1650-55) Louvre Museum. If the painting was a diplomatic gift, then it is also possible that it has a political meaning. son Cupid (identified by his wings and quiver) by taking away his Mannerists like Bronzino, see: Homepage. And he painted a picture of singular beauty that was sent to King Francis in France, wherein was a nude Venus, with a Cupid who was kissing her, and Pleasure on one side with Play and other Loves, and on the other side Fraud and Jealousy and other passions of love. Trudi Ludwig Johnson, The Exposure of Luxury, woodcut, 2013, 3/11, 48″ x 31.5″ on Okawara paper. This image is licensed for non-commercial use under a Creative Commons agreement. The figure in the top left Cosimo commissioned An Allegory with Venus This is one of Bronzino’s most complex and enigmatic paintings. © visual-arts-cork.com. An Allegory with Venus and Cupid (1540-50) Bronzino’s Allegory perhaps had a similar intention. These types of complex, multilayered themes are found in poetry of the period, and Bronzino, like Michelangelo, was an accomplished poet as well as a painter. He wrote conventional love lyrics derived from the poetry of Petrarch as well as more bawdy poems. License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library. painting - which remained consistent across the genres - was deliberately Movement: Mannerism of unchaste love. Trudi’s second oversized skeletal woodcut was based on Agnolo Bronzino’s painting An Allegory with Venus and Cupid, c. 1545, at the National Gallery in London. Acquisition credit:Bought, 1860 The picture is likely to be that mentioned in Vasari's 'Life of Bronzino' of 1568: He made a picture of singular beauty, which was sent to King Francis in France; in which was a nude Venus with Cupid kissing her, and on one side Pleasure and Play with other Loves; and on the other, Fraud, Jealousy, and other passions of love. Behind him, a creature ("Deceit") This allegory was ordered by the artist Duke Cosimo I of the Medici, who intended it as a gift to the French King Francis I. Hanging in room 8 of the National Gallery Agnolo di Cosimo Bronzino’s “An Allegory with Venus and Cupid… of Divine Providence (1633-39) Palazzo Barberini, Rome. Elderly Saint Elizabeth looks down over the Virgin Mary’s shoulder at her son Saint John the Baptist. Analysis of An Allegory with Venus and Cupid Medium: Oil on wood panel Interpretation of Mannerist Mythological This is one of Bronzino’s most complex and enigmatic paintings. 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